I’m sticking to this, no matter what the “official” story is.
Happened to come across this item about a place close to the origins.
The railway station featured, the main one for the Glenbrook Vintage Railway, is about 10kms from where I grew up. It’s just down the hill from my grandfather’s farm, and across the road from another relative’s farm.
The branch line closed in the mid-1960s: I have a very vague memory of watching a small engine, without any train, chugging under the bridge by the old electricity board building on Waiuku’s Kitchener Road, probably around the time the line shut. I would have been, though, only about three or so.
Bit of a story with how the railway line came to be built in the first place: in the late 19th century, the locals agitated for a branch line to be put in.
Such decisions were made by cabinet ministers in those days, and the Prime Minister, Richard Seddon, tended to award such infrastructure projects to electorates which had been farsighted enough to elect an MP which supported his government.
As the area was, at the time, part of the electorate held by the then leader of the opposition, William Massey, the locals were told to go whistle.
The government changed in 1912, Massey was PM, and he got them their railway, though not right away – World War One intervened.
I gather it never made a profit and had to be constantly subsidised by the government. According to that story linked to above, the line now manages without any such government support.
When I was a kid, after the line closed, the station premises were used by Karaka Bulk Spreaders as a fertiliser depot.
The vintage railway went in, gradually, from the early 1980s. The bit that extends into my home town, Waiuku, runs through another relative’s farm, where we used to do hay every year.
It was kind of neat – we’d be part of the show, it seemed, as the train came through.
The vintage railway is recommended, for any of you Aucklanders – or anyone in holidaying in Auckland and wanting a day trip out to the country .
I’m biased, of course, but its a great place to visit.
There was even a song about it, albeit written and recorded, oddly in 1977 – during the period between the railway being closed circa 1968; and the vintage railway opening sometime in the mid-1980s.
Warning: contains yodeling. Catchy, though.
As a bonus, here’s the Kinks, singing about trains. It’s off their masterpiece, the low-key, out-of-its-own-time, Village Green Preservation Society album, which, by a coincidence, was being recorded around the time the Waiuku branch line closed.
‘Along that row of distinguished and original faces there would pass from time to time, as lightly as a shadow upon the waters, an alarming, an alien, spirit. It invaded and effaced the dignified construction of Mr Asquith’s features, it crept about the corners of Mr Lloyd George’s eyes, with imponderable fingers it ruined that noble forehead which was Mr Winston Churchill’s, it reduced the hatchet lines of Mr McKenna’s face to the lesser proportions of a ladylike paper-knife.. a spirit dangerous and indefinite, animula vagula blandula, the Spirit of Whimsy, which only afflicts Englishmen in their weakness.’
I have been thinking of this book a lot lately and I’ve recommended it to several people. It was one of those “formative books” – a book one reads as an impressionable age and has a powerful influence on the outlook.
I’m a firm believer that styles and methods of thought are more important – much more important in fact – than the actual content of those thoughts. Habits of mind are often unconscious, stem from a mix of influences and innate character, and serve to form thoughts and beliefs.
So although, in the case of this book, I didn’t agree with everything in it at the time, and probably do so even less now, Dangerfield’s attitude to the world of public affairs, and those who conduct it, had, now I re-read it, quite an effect.
I can even remember where and when I bought it – shortly after moving to Auckland in 1985, at the David Thomas second-hand bookshop in Lorne St, which was part of a small oasis of slightly disheveled civilisation in the downtown CBD at the time. There were four along the O’Connell-High-Lorne St zone at the time – Rare Books, Jasons, and Bloomsbury, as well as this one. Five, if you count the library.
Nice and handy, too, to the Dominos and Just Desserts cafes.
‘The Strange Death of Liberal England’ is one of the few books I’d nominate for genuine classic status. It tells a great story – the kind of collective mental breakdown which swept over the British [ok, mostly English, and David Lloyd George] classes in the four years before the outbreak of World War One.
It is superbly written, generally with a dry ironic touch, but underneath this cool carapace some heated moral indignation bubbles and it occasionally bursts through.
It was about the breakup of a consensus, of assumptions about how their country – and, given the size of the British Empire of the time, the world – ought to be governed. The future of Ireland, Lloyd George’s “People’s Budget” and the House of Lords’ self-defeating obduracy, votes for women, and the rise of the Labour Party dominate and served to break up that consensus.
As Dangerfield put it,
‘Whatever his political convictions may have been, the Englishman of the ‘7os and ‘8os was something of a liberal at heart. He believed in freedom, free trade, progress, and the Seventh Commandment. He also believed in Reform. He was strongly in favour of peace – that is to say, he liked his wars to be fought at a distance, and, if possible, in the name of God. In fact, he bore his Liberalism with that air of respectable and passionate idiosyncrasy which is said to be typical of his nation, and was certainly typical of Mr Gladstone and the novels of Charles Dickens.’
And he shows how widespread this worldview was, usually with a neat and deftly humorous touch, starting one section with,
‘In 1903, when Joseph Chamberlain, who had proved how insubstantial were party differences by being a Unitarian, a Radical, and a Conservative at one and the same time…’
It is character sketches like this which really make the book dance, because they are not just sketches of individual characters, they are used to show the spirit of the age. Here is Dangerfield on Arthur Balfour, the Conservative Party leader between 1902 and 1911: for Balfour, he writes,
‘…politics was little more than a serious game. He played it with the faintly supercilious finesse which belongs to a bachelor of breeding, and with a bitterly polite sarcasm which was quite his own. He had entered Parliament originally from that mixture of duty and idleness which made an English politician of the old school :in other words, because he could neither fight, preach, nor plead. …He had become one of the more eminent of English philosophers at a time when English philosophy was at a low ebbb…
‘In his youth he had been known as ” pretty Fanny ” and indeed in those far days he looked rather like an attenuated gazelle. But with advancing age his face came more and more to resemble an engaging, even a handsome, skull : it carried into drawing-rooms and debates a special property of hollow mockery, its eternal memento mori which, since Mr Balfour was always affable and lively, gave him an air of mystery and even of enchantment.’
Any writer who can come up with the phrase ‘attenuated gazelle’ is someone I have to tip my hat in homage to.
Here he is on Liberal prime minister Henry Asquith:
‘..ingenious but not subtle, he could improvise quite brilliantly on somebody else’s theme. He was moderately imperialist, moderately progressive, moderately
humorous, and, being the most fastidious of Liberal politicians, only moderately evasive. If he can be accused of excess it was in the matter of his personal standards, which were extremely high.’
My own copy of the book fell apart several years ago, I’ve since got ahold of some online excerpts and have ordered a new one from Abebooks.
It is, as those excerpts quoted above show, a joy to read if you have love history and good writing and possess a sense of humour.
It is also – because it was written in the 1930s – great to read a thoughtful book which considers Winston Churchill as just another politician, albeit a particularly colourful one, before the public monument he became post-World War Two.
Local parallels? I frequently found myself pondering this book during Helen Clark’s prime ministership. It seemed to me then quite possible we were looking at an endgame for the New Zealand Labour Party and its world view, mostly because of the inherently defensive approach to almost all policy issues.
Oh, and because Clark and Cullen at times reminded me of the Asquith-Lloyd George combination, albeit without Cullen wanting the top job.
But Clark’s cool rationality had a whiff of Asquith, and Cullen definitely had a touch of the Lloyd George at times, especially in his way with the wittily destructive phrase.
The travails which have befallen Labour since then have confirmed those thoughts from a decade ago.
And we may, now, be seeing a wider, world wide break up, with the rise of Trump-ism in the United States and the sentiment of ressentiment which that appeals to taking other forms elsewhere.
But more on that in my real job.
For now, fellow well-written-history-buffs: this book is a true classic.
That rare combination: a thought-provoking joy to read.
There is an elephant in the room – this computer,
an evolutionary change happening in our lifetime,
reducing our customs to fossils and converting
our children to new formats. As the Digital Age
powers on, I look wistfully at my books,
pen and notepad, and see that language is mutating.
Now the Web is a field of seething energies,
ready to extend and pool consciousness, is this
the transformation of the world to a unified virtual mind
or merely another noisy playground and marketplace?…
That is Roger Horrocks on the effect of the digital world on books, writing, literature, culture – and, ultimately, identity. The full piece is here and it’s well worth a read.
He doesn’t come to any conclusions – sensibly, I think. We’re in the middle of a revolution right now – and for once the word ‘revolution’ is not hyperbole – and it isn’t at all clear what the outcome will be.
Horrocks isn’t sure whether to be optimistic or pessimistic. Personally, I’m tentatively optimistic.
New Zealand has always had a very “thin” cultural scene – it is a function of our small size and distance from everywhere else. The internet has broken that down and will no doubt break it down further.
My optimism lies in Horrocks comments about the ‘field of seething energies, ready to extend and pool consciousness.’
It is in the process of wrenching our notoriously parochial cultural scene out of its small-town-ness: it is also breaking down hierarchies and – dare one say it? – the ivory towers of universities.
Technology is breaking down both distance and walls and this has only just begun, I believe. It makes our small size less telling, provides easy access to a more global perspective and ideas and, obviously, helps ideas get around.
History is also deepening. The passage of time itself is helping, of course. But there is, I’ve noticed, a real hunger to talk, argue and occasionally throw things about New Zealand’s history, amongst the generation coming through.
As for the choice Horrocks outlines in the last line quoted above: I don’t think its a choice. It’s both.
The trick is going to be making sure the extension and pooling of consciousness happens along with the noise.