Shots from a road and writing trip, and back in Wellers. In warm glowing thing in the sky time.
A favourite spot, over the past summer, has been the hills above Makara. The bottom left-hand corner of the North Island, the area is wild, open, and glorious. The daughter loves it there, I’m pretty fond of it myself.
There’s a high tensile toughness, as it looks out at the world. The plant life is not tall – under constant pressure from howling seaward winds, it sticks close to the ground, even though the ground itself is not the most fertile you would find. It’s scrabbly, rocky, and gives up its nutrients grudgingly.
Remnants of how New Zealand faced past threats are there: concrete gun emplacements built at the start of World War Two glower out at the sea.
To the north, you can see Mana & Kapiti Islands. Wheel your view around to the south-west and there’s the South Island. You’ll often see at least one of the Cook Strait ferries, possibly more than one.
‘Silver blue, the sea like sheets on a bed
At the edge of the world a ferry boat crawls away like a snail…’
…as Don McGlashan wrote in the great Mutton Birds song, ‘Along the Boundary’. I don’t think the song is actually about this spot – I remember McGlashan saying, somewhere, it was about a specific place and memory, but I suspect that place is on the other side of the strait.
But anyway. It’s off an album which came out in 1995, around the time I moved to Wellington. It’s always had a special place in my heart and I think of this particular song almost every time I go up to this place.
It’s about a child climbing a tree, and struggling to keep up with a bigger child – a friend or, more likely, a sibling or a cousin – who is ‘much older’.
The song tells of a child discovering he/she could keep up with the ‘much older’ person.
‘You never thought I could get such a long way up, but I looked straight ahead…’
And there’s the evocative memory…
‘I feel the branches move around me
I see the thistles along the boundary
Up along the boundary…’
And, from up there, the child’s feeling of, if not omnipotence, then certainly strength and potential:
‘I move patches of wind round the bay of glass
I move shadows of clouds over the grass
I’m at the controls, there isn’t a shelf or a rock on the beach
That I couldn’t reach…
The sun pulls the hills the way the tide pulls on the sea
Waves and waves of grass are breaking, rolling over to me
And the sky’s like a wheel
Like a wheel…’
It’s sheer poetry. McGlashan’s one of our best songwriters: he is certainly our best at evoking the New Zealand space – both headspace and physical space.
He’s kind of a rock muso version of Maurice Gee.
Today the threats those concrete blockhouses were built to face are gone. Behind them, the flat area dug out to house soldiers’ barracks is partly overgrown with lupins.
Sheep may safely graze there. Children play noisily and happily in the old buildings once built by khaki-clad soldiers in deadly, fear-filled earnestness of an overwhelming threat.
Just over the hills, the Makara wind farms whirl, while under them, a stream of mountain bikers, all sweaty and multicoloured exuberance, whirl their pedals in a kind of mock tribute.
So: here’s the Mutton Birds, doing ‘Along The Boundary’, live. Bit rough, but its still a great song.